Five disciplines
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Show-day standard

Concours
Preparation.

Preparation for the judged field, where points are lost in places spectators never look. Weeks of measured work across every surface, finished under the inspection lamp and handed over ready for transport.

Scroll to see the stages
In studio
2 – 6 weeks
Surfaces
Every one
Finishing
Inspection-lamp
Handover
Transport-ready
The Campaign

Prepared for eyes that keep score.

A concours car is not simply clean. It is correct — every surface finished to the standard of its class, judged at arm's length and in places the public never sees, from the underside of the sills to the far corners of the engine bay.

The work runs from first assessment to the moment the transporter door closes: decontamination, full correction, chrome, glass, trim, underbody and engine bay — each stage signed off under the inspection lamp before the next begins.

Final inspection
lamp-graded, panel by panel
Engine bay & underbody
detailed to be opened
Chrome, glass & trim
polished, streak-free
Paint — full correction
to judging standard
Deep decontamination
every seam, every fastener
Assessment
read against the class criteria
What It Takes
Thorough

Paint, chrome, glass, underbody, engine bay. Judges look everywhere, so we finish everywhere.

Measured

Prepared against the judging criteria of your class — to the sheet, not to a house formula.

Present

We can attend on the day — final wipe-down, a last pass under the lamp, quiet corrections before judging opens.

Composed

Handed over ready for enclosed transport, so the finish that leaves the studio is the one that reaches the field.

Three Tiers

Choose the standard.

Every tier is finished under the inspection lamp by a single specialist. The difference is how far past the paint the preparation goes — and how long we stay with the car.

Show
1 wk
Display-day preparation
Deep decontamination
Gloss-stage correction
Interior & glass detail
Transport-ready handover
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Most chosen
Judged event
3 wk
Prepared to the class criteria
Full correction to judging standard
Chrome, trim & glass finishing
Engine bay & underbody detail
Show-day on-site touch service
Book this tier
Full concours campaign
Season
A season of events, managed
Multi-event preparation schedule
Between-event maintenance
Discreet transport coordination
On-site support at every event
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// final pass under the inspection lamp
Questions
How long before the event should we begin?

For a judged class, allow three to six weeks; a display-only show can be prepared in one. Booking matters more than starting — the bay holds one car at a time, and concours dates rarely move.

What do judges actually look at?

Everything the public does not: fastener heads, the underside of sills, glass edges, the far corners of the engine bay, tyre sidewalls. Points are rarely won on shine — they are lost in the details, which is where the preparation lives.

Do you attend the event itself?

On request, yes. We meet the car on the field: a final wipe-down after transport, a last pass under our own lamp, quiet corrections before judging opens. For campaign clients, attendance is part of the tier.

How is the car maintained between events?

Each car leaves with a written care protocol. For campaign clients we handle it ourselves — inspection between dates, correction of transport marks, storage checks — so every event begins from the same standard as the first.

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The Craft of Presentation

What it really takes
to be judged.

Everything we believe about concours preparation, judged events and the show-day standard — the long version, for the people who actually read it.

Show car staged under studio light Engine bay detailed to judging standard Ferraris prepared for the concours field
01 Nice · Côte d'Azur

Points are lost, not won.

Every judged class begins at a perfect score, and the sheet only moves one way. Concours preparation is the discipline of removing reasons to deduct: a water spot inside a fuel filler, polish residue around a badge, a streak on the inside of the glass. Spectators see shine; judges see everything else.

That is why we prepare to the criteria of the class, not to a house formula. Before the first wash, we read the judging sheet the way we read paint — line by line, against the car actually in front of us.

Every surface is a scoring surface.

Paint is the beginning, not the whole. A concours car is judged with the bonnet open and sometimes from a mirror on the ground, so the engine bay, the underbody, chrome, glass and trim are finished to the same standard as the clear coat — under the inspection lamp, panel by panel.

The correction itself goes further than a road car will ever need — every panel to a single uninterrupted reflection, every shut line clean enough to be photographed at a hand's width.

The event is part of the work.

A perfect finish that arrives with transport marks scores like an imperfect one. Every car is handed over ready for enclosed transport, and on request we travel with it: a final wipe-down on the field, a last pass under our own lamp, small corrections made quietly before the class is called.

Show morning is not the moment to discover a problem. It is the moment everything already done becomes visible — which is exactly how we prepare for it.

One car, one standard, in Nice.

We prepare concours cars by appointment, in a sealed single bay on the Côte d'Azur — one car at a time, one specialist from first assessment to transport handover. The region's calendar is generous with judged events; our diary, deliberately, is not.

Between events we hold the standard: a written care protocol, storage checks, correction of whatever the season leaves behind — so the car that opens the next event is the car that finished the last.